News- The finalists of the 2008 Sovereign Asian Art Prize will be auctioned at a charity dinner on Wednesday the 29th October at the Grand Hyatt Hotel, Hong Kong.

!!newly updated!! Click here to see my other posts on some of the 2008 entrants, artist Suroso IsorTerra Bajraghosa, Robert Langenegger.

Now, Here are some works by previous winner, UTTAPORN NIMMALAIKAEW.

Its not cheap at HK$25,000 for a table of ten or HK$2,500 for single tickets, but will be an incredible evening for those who can go!

If you are cant’t afford this, or don’t have the time to attend the 29th October but still wish to place a bid on one of the 30 artworks, its still possible to place a bid on the 30 artworks.

You are able to view all the 30 artworks who are finalists for the Sovereign Asian Art prize, here.

To see the exhibition in person, you can preview them at the Landmark on 21st- 26th October, but you can only see them if you could be interested in placing a bid! For a personal preview of the paintings please contact the organisers on +852 2542 1177.

Okay, so I cant afford to buy anything! But I still enjoyed looking at the upcoming art!!

Regarding the previous winner- Nimmalaikaew’s works start from a canvas backdrop that is set inside a deep casement, and that is then lightly veiled by multiple layers of thread and netting. The artist paints (as well as prints with an Ink Jet) not only on the canvas but also on the thread and netting in order to create shimmering portraits and figurative scenes. He actually creates a depth of field that goes beyond three-dimensional space.  At a thematic level, his present work expresses a deep reverence and love for family.

Nimmalaikaew spoke of his work in an interview with Jonathan Thomson of Asian Art News shortly after being presented with the Sovereign Asia Art Prize at a Hong Kong ceremony:

It took me quite a long time to develop my concept. The layers help represent the complexity of life and relationships and all of the stages of life. The actual technique started with a mosquito net and things seen through the netting. I intentionally draw the threads through the netting and leave them drooping to suggest a life flowing, of aging, and physical degeneration. It is part of my concept that people have to look through my work, not just at it. People have to see my work and experience it…. It is impossible to replicate my work in a photograph.from “Inevitable Cycles,” (July/Aug 2006) 16 Asian Art News [Interview of Uttaporn Nimmalaikaew by Jonathan Thomson]

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